蘇文&小池健輔《不多不少》NO MORE NO LESS

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2015年,法國藝術家蘇文(Thomas Sauvin)買了一本上世紀八〇年代初由一位不知名的上海大學攝影系學生製作的相冊。這本相冊包含了原始底片、銀鹽感光照片,以及一個匿名教授的手寫評論,展示了學生勤奮學習傳統肖像拍攝的過程。之後,住在威尼斯的日本藝術家小池健輔賦予了這本相冊第二次生命,他善於將拼貼和老照片結合在一起。該系列「不多,不少」誕生於小池和蘇文的相遇,包含了從原書的底片洗出來的新照片。小池運用了他敏銳的想像力,使用簡單的小刀和膠帶解構並重塑了圖像。然而,這些純粹的手工干預都遵守著一條規則:不刪除任何內容,不添加任何內容,即「不多,也不少」。在這樣一個融合了自由和約束的語境中,小池和蘇文小心翼翼地探索了一個僅僅由自身組成的圖像的可能性。特殊的裝幀也為閱讀本書帶來許多有趣的體驗。

In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.

《不多不少》 | 蘇文&小池健輔 | 假雜誌出版 | 2018年11月初版 | 120+30+8頁 | 裸背平裝,置於紙殼內 | 21 x 16cm | 限量400本

No More No Less | by Thomas Sauvin & Kensuke Kioke | Published by Jiazazhi | Nov. 2018 | 1st edition | 21 x 16cm | paperback | 120+30+8pages | limited edition of 400

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