《凝望的時代》In Sight

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本書是2010年國立台灣美術館「凝望的時代——日治時期寫真館的影像追尋」主題展展冊,此展試圖透過台灣僅存珍貴、稀少的影像來解讀、凝想台灣日治時期(1895-1945)在轉換前進的時域空間至個人身體場域、時間跡痕此三度空間交融的「凝望」。除了尋訪日治時期的眾多寫真館與業餘攝影家,同時探討、紀錄台灣早年的攝影文化發展面貌。《凝望的時代》收錄了台灣攝影的重要影像史料,也為尋索台灣攝影的源流提供了豐富的線索。

This publication is produced on the occasion of the exhibition of the same title at National Taiwan Museum of Fine Arts in 2010. The exhibition is an opening of dialogue, offering a place for public discussion of nearly 140 years of photography culture in Taiwan. Western photography has been predominant in Taiwan, a country subject to colonial rule. The exposure to second-hand culture inevitably casts political and environmental impacts on the nature of photography culture. Today, the nature of photography has shifted and it has become an emotional medium common to all of the world's people, as well as the commonly held property of all participants in art and culture. There is a need to salvage the body of nostalgic old local photographs before they disappear, images of the most elemental asset of local culture and shared collective memories. Therefore, this book hopes to establish the parameters of photographic culture and history in Taiwan.

《凝望的時代》 | 簡永彬、高志尊、王雅倫、林壽鎰撰文 | 23.5 x 28.2 cm | 320頁 | 2014年 | 夏綠原國際出版 | 精裝 | 中文&英文

In Sight: Tracing the Photography Studio Images of the Japanese Period in Taiwan | Texts by Chien Yun-Ping, Jonathan Kao, Wang Ya-Lun, Lin Shou-Yi | 23.5 x 28.2 cm | 320 pages | 2014 | Published by Sunnygate Corp. | Hardcover | Chinese & English

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