黎朗《1974》

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Image of 黎朗《1974》

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正如每個人都有自己的記憶原點,黎朗說,1974年是他的記憶元年。

390張幻燈片,四段畫外音故事,1974年中外大事記以及對記憶文本的書寫共同構築出《1974》這部作品。作為一位以攝影圖像為主要創作媒介的藝術家,黎朗作品中貫穿著他對歷史和圖像在真實與虛構二者模糊地帶間的觀察,和對其間矛盾與衝突的種種思考。《1974》作品中的幻燈片來自他過去幾年間在不同地點收集的二手照片,在對照片進行分類後,黎朗將他們按照虛構的時間順序一一標注上新的日期,於是,脫離了原本語境的老照片在此成為他的記憶隱喻,被架構在藝術家作為敘述者所編織的作品之中。

黎朗透過拾遺照片和畫外音的方式重構了自己對記憶元年的想像。圖像與聲音在這裡不再僅僅是某段特定歷史的痕跡,而是在光與影的間隙之中,尋找著與現實對話的可能性,邀請讀者與他一起成為過往歷史的探索者。
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黎朗,生活工作於四川成都。1999年他的系列作品《涼山彝人》獲「瓊斯母親國際報導攝影金獎」,並曾獲中國連州國際攝影年展評委會特別獎(2015),中國連州國際攝影年展刺點攝影獎(2019)。作品受美國舊金山現代美術館、中國上海美術館、西班牙瓦倫西亞現代藝術博物館、中國廣東美術館、中國麓湖.A4美術館、中央美術學院美術館、澳洲雪梨白兔美術館等藝術機構收藏。近年主要個展有:《30219》(2014)、《1974》(2018)、《某年某月某日》(2019)。
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Everyone has a unique starting point in one’s own memory. For Li Lang, it all started in 1974. His work “1974” consists of 390 slides playing in a loop, accompanied by the artist’s voice-over of 4 stories extracted from his memory of 1974, a summary of the important events of that year, and vignettes of the voice-over on the site.

As an artist who mainly works with photographic images, Li Lang has inserted his observations of history and images in the fuzzy zone between reality and fiction, as well as his reflections on the contradictions and conflicts between them. The slides in "1974" come from vintage photographs that he collected over the years from different sources, including studio portraits, travel photos, snapshots of work and everyday life scenes, etc. After putting them into different categories, Li hand-labeled them with dates based on a fictional timeline. Thus, these vintage photographs are removed from their original contexts and become his memory metaphors which are later framed into his own narration.

Li Lang's work reconstructs his imagination of the starting point in his memory through voice-over and vintage photos. Images and texts are no longer just traces of the past. They also explore the potential dialogue with reality in the gap between light and shadow. Li never asks the audience to accept his narrative of history. Instead, he invites us to join him as an explorer of the past.
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Li Lang (b. 1969) is a visual artist, currently lives and works in Chengdu, China. Beginning his photographic career in the 1990s, Li was awarded The Special Jury Prize by Lianzhou Foto Festival in 2015 with Father and the Mother Jones Medal of Excellence in 1999 with The Yi People. Li’s work has been widely exhibited in China and abroad. His work is collected by the Art Gallery of Ontario in Canada, A4 Art Museum, Guangdong Museum of Art and Shanghai Art Museum in China, Instituto Valenciano de Arte Moderno in Spain and San Francisco Museum of Modern Art in USA. Li has often experimented with a deliberately subjective approach in his documentary, as it highlights the photographer’s perspective of the subject or the visual language at play.
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《1974》 | 黎朗 | 真姨書房 | 2020年初版 | 760頁 | 精裝含小冊,封面燙金銀雙色 | 10x15x7 cm | 中文、英文 | 限量500本

《1974》 | Li Lang | La Maison DE Z | 2020 | 1st edition | 760 pages | Hardcover, contain a booklet | 10x15x7 cm | Chinese & English | limited edition of 500

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